Well kids, here we are back again for another month of TV (this year is kind of going by incredibly fast, right?). May is an interesting month. Not nearly as busy as September, January or April, but significantly more interesting than used to be May. Traditionally, May would be the time when your network shows would be wrapping up their seasons, and the networks would be moving into summer reruns or limited run summer series. That’s not as much the case in today’s changed TV landscape.

May through August will likely not be as stacked as some months, but they will likely be very top heavy, with some cable networks premiering some truly excellent works (mainly HBO and FX, but AMC also has some interesting things coming up this summer).

So let’s get to the list:

10. The Americans: Season 2 finale (FX, May 21) — I’m starting with three shows that I absolutely adore at the bottom of this list. Shows that will almost definitely be in my top 10 (if not top 5) for the year. I do this just because they are finales, and the main purpose of this list is to make our readers aware of premiering shows. If you want to know about The Americans, you can refer back to our February list, where it was the number 2 entry for the month. Its inclusion here hopefully will be taken by our readers to mean that the season has lived up to any and all incredibly high expectations, and has been an excellent, likely improved, follow up to the sensational season 1.

9. Hannibal: Season 2 finale (NBC, May 23) — And, the number 1 entry on our February list was Hannibal. This is a show that surprised the hell out of me in its debut season. I had incredibly low expectations, was surprised to hear early reviews of its greatness, and loved the season overall. Season 2 did not have such benefit. I went into this season expecting, if not demanding, brilliance out of Fuller, Mikkelsen, Dancy and co. The season has turned what we know of this world on its head, and has been one of the fullest and richest experiences on TV in recent memory.

8. Mad Men: Season 7A finale (AMC, May 25) — Speaking of full and rich experiences…We just posted my review of the early season within the last week, so I won’t go on too much about Mad Men. But one thing that was not mentioned in that post was continued excellent guest casting for season 7A, with the additions of Not-Dog Travis (Dan Byrd), 90’s crush Neve Campbell, and Veronica Mars’s own Jessy Schram (who I just adore).

7. Rosemary’s Baby (NBC, May 11) — The networks are starting to figure out, the best way to get an audience is with miniseries and limited run series. This modern day telling of the Ira Levin novel is only 4 hours, and stars Zoe Saldana and Jason Isaacs. If we are going to continue to be lazy and refuse to come up with new and novel ideas, your best chance at getting me to watch is keeping it short (4 hours) and casting actors I’m interested in seeing (Saldana and the always excellent Isaacs). I’m making no long-term commitment NBC, but I’ll at least watch Night One.

6. Crossbones (NBC, May 30) — So, it seems like NBC is in the summer show business, doesn’t it? A pirates show starring John Malkovich. Oh, and brought to you by Michael Bay, did I forget to mention that part? Everything about this tells us it is going to be hideously awful, yet, I can’t help but be oddly intrigued. Let me also add, as I was doing my research, I noticed a strange name with the writing credits, Neil Cross. This is the man that brought us Idris Elba’s Luther, one of the finest shows of the last 5 years. Also, David Slade is credited as a director for the series (it appears he directed the pilot, as he did for Awake and Hannibal, which set amazing tones). With these guys involved, there has to be something there, right?

5. The Normal Heart (HBO, May 25) — I’m not going to pretend to know a great deal about this HBO movie, other than the fact that I’ve heard people talk about the fact that it’s an HBO movie. And, by just knowing that fact, I know that it’s going to win all the Emmy’s. Plus, with a cast including Julia Roberts, Taylor Kitsch, Matt Bomer, Jim Parsons, Mark Ruffalo, Denis O’Hare, and Joe Zaso, even the fact that it is directed by Ryan Murphy can’t necessarily deter me. Based on a 2011 Broadway play, and dealing with HIV/AIDS activism in the 1980s…Again…All the Emmy’s.

4. Gang Related (FOX, May 20) — Our first look at FOX’s summer programming. I’m not sure I know why I’m interested in Gang Related, other than maybe to just say I love Terry O’Quinn (obviously), and the guy that plays Alvarez on Sons of Anarchy is also in this show. I guess it could be good, or it could be absolutely dreadful. Only time will tell I suppose.

3. In the Flesh (BBC America, May 10) — So this is a show that sat on my DVR from last summer until early this year. I believe it is even a show I pointed out in my top TV of last year as a show I had missed which may have been included. Having watched the first season, yeah, it probably would have been. In the Flesh, not unlike The Returned, is a zombie show without a lot of “zombies.” Set in the UK after a zombie outbreak, a cure of sorts has been found, and those that have been infected are attempting to re-integrate into society. It is clear that they are infected, but their symptoms are kept in check. Many people in the small town which the show is set in are unsurprisingly uncomfortable with these people being allowed back home. It’s a slow, thoughtful show. Season 1 was only 3 episodes, but they’ve upped it to 6 for season 2.

2. Penny Dreadful (Showtime, May 11) — The next Showtime show has probably the most impressive pedigree yet. Created by John Logan and being exec produced by Sam Mendes, and starring names such as Josh Hartnett, Helen McCrory, Timothy Dalton and the perfect Eva Green, it has all the makings of a great one. The show appears to be a mix and match horror anthology type show set in Victorian London and involving the likes Dr. Frankenstein, Dorian Gray and Dracula. I love it when shows take big swings, and with the brain trust of Skyfall on board, I will be too.

 1. Louie (FX, May 5) — It’s so good to have this show back.

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Alright, that’s it for this month.  We will see you again in June.





I know many people out there who have given up on Mad Men. The show is too sad, or too dark, or it’s just Don Draper repeating his same mistakes over and over again. Whatever the reason may be, a lot of people just kind of can’t take any more. And, I suppose, on some level, I understand that, but I’ll never agree with it. There were lots of people who think season 6 showed that Mad Men had “lost its fastball,” so to speak. But, I think if those people went back and looked at season 6 again, they would see that it was not the case. When I looked back on my favorite moments to do research for a post we put up a couple weeks ago (about Mad Men moments), I found myself gravitating to several key moments from last year. The show is just as rich as ever, and I’ll argue, it’s only getting better.

To that end, I am of the opinion that an episode such as episode 702, A Day’s Work, only proves that Matt Weiner and crew remain at the top of their game, and, that when they are, the product is truly the most outstanding thing on television. Again, I understand that Mad Men has lost its luster for many people, but I don’t think that is on the show, I think that’s on us as viewers. We no longer have the patience for a show such as Mad Men. What, no zombies head’s getting lopped off? No vampire on human sex scenes? No garage door opener/machine gun massacres? or DRAGONS?! Mad Men always has been, and always will be a show about people. Just people. No super powers. No vigilante justice. No whatever it is Olivia Pope does (only LJ watches that show). Just a group of people trying to get through the next day. And, unfortunately, many of us no longer have the patience for this kind of show.

When I see an episode like A Day’s Work, I find it to be a real shame that we have lost our patience for television this outstanding. I’ll readily admit that I’m a sucker for an episode like this one, because I’m such a sucker for the Don/Sally relationship. If someone were to ask me to pick a single relationship on this show as my favorite, it would be Don and Sally. And, this past week’s episode gave us multiple scenes of outstanding work between these two, culminating in probably the greatest scene shared between the two over a cold burger and a tuna melt in a roadside diner, and a life changing declaration by Sally to close the episode.

The diner scene starts out as painful and awkward as many scenes between Don and Sally lately, but Don breaks the tension by continuing his trend of late: being honest with Sally. She learns earlier in the episode that Don is not working, and instead of trying to live one more lie, he gives Sally the truth about what is going on. One of the most fascinating things about the conversation is the way Don talks to Sally. He is clearly talking to her as if she is an adult at that table. He doesn’t talk down to her, he doesn’t say that she’s too young to understand. And even when he does try to side step the truth regarding moving out to California, Sally immediately calls him out on it. This conversation is a real break through for these two, and the ramifications are seen immediately.

When Don drops Sally at school, she says something that no one, especially Don, expected. Simple words, but so full of meaning to Don: “Happy Valentine’s Day. I love you.” The million emotions running through Don’s head at that point are beautifully apparent on the face and in the eyes of Jon Hamm (seriously — no Emmys for his work on this show, it’s insane). My thoughts went immediately to the fact that, to my best recollection, Sally has never spoken these words to her father (at least not on screen). I can imagine Don saw that car ride ending in several ways. Having his daughter tell him she loves him, was not one of them.

What this does for the show going forward, only time will tell. But I have no doubt that it will have major implications for Don. The fact is that this is hands down the finest written show on television with some of the best performances ever put to screen. And in all this, we haven’t even commented on the California woes of Pete and his small office; the best spin off idea ever of Shirley and Dawn; the Joffrey like villain forming in Lou Avery; the battle for power between Jim Cutler and Roger Sterling; Joan taking charge; and most importantly, masturbating gloomily with Peggy Olson.

I’ve always thought Mad Men was among the best things in the history of TV, and so far, this “final” season has only confirmed that. I wish more people would watch Mad Men…But honestly, at this point, there is nothing that could make this show feel any less special to me. Two episodes in to the beginning of the end, and I’m on the edge of my seat to see where the rest of 1969 takes these characters we’ve spent so much time with over the last 6+ seasons.





Mad Men Sunday is finally here! As we look forward to the return of one of the best shows to ever air on TV, for part one of its final season, we thought it might be a good time to look back at some of the best moments from seasons 4 through 6 of Mad Men. The goal here was to count down the top 5 scenes of the last three seasons, but, as usual, that proved harder than expected. Here’s what we think:

5. Don’s Hershey’s pitch (Episode 613: In Care of)

The moment that Don Draper and Dick Whitman become the same man. Watching Don break down and tell a real story from his childhood is one of the most heartbreaking things we’ve seen on Mad Men. And, Mad Men is full of heartbreak, so that’s saying something. All of the pre-season press material made it clear that season 6 was going to be all about the duality of self, and that’s exactly what was delivered in season 6—especially as it relates to Don. This was the season where we could see the crumbling of Don’s two worlds into one.

4. Sally catches Don and Sylvia (Episode 611: Favors)

The “holy crap” moment of season 6. I’m probably the biggest proponent out there of the theory that Don Draper only cares about 3 people in the entire world, Peggy Olson, the late Anna Draper, and his daughter, Sally. Sally has always known that her father was a bit of a skeeze, but, at times, she had almost idolized that because of her total disdain for her mother. However, it is in this episode that Sally sees Don for who and what he really is and it the point that changed everything for Sally and Don. Sally can no longer pretend her that her father is the good guy. This realization, along with the scene mentioned above, lead to another scene that could have very easily been on this list—Don taking his children to see where he really grew up. Anyone who thinks that scene had anything to do with Bobby or baby Gene are fooling themselves. That scene was about Don letting the last bit of pretense go.

3. Roger takes LSD (Episode 506: Far Away Places)

Let’s lighten it up a bit, shall we? My name is Roger Sterling  and I have taken LSD. Though this scene ends in a fairly dark, sad place, with Roger telling Jane he wants a divorce, the lead up is hilarious. The Russian symphony playing when Roger opens the bottle of vodka never gets old to me. I watch it over and over again, and never stop laughing. This moment is also of note as it is in the middle of probably the greatest run of episodes Mad Men gave us, and it also is likely the most experimental episode of Mad Men to date. If you don’t remember or haven’t seen it in a while, go back and watch this episode. It’s well worth it.

2. Megan does Zou Bisou Bisou (Episode 501-502: A Little Kiss)

The moment of complete and total confusion on Don’s face. I feel like I don’t really need to comment on this one, right?

1a. Peggy says goodbye (Episode 511: The Other Woman)

The moment that Don couldn’t let go. You’ll see that I have a 1a and a 1. I wanted to keep this list to 5, but I just couldn’t. And, frankly, these two scenes actually fit together very well. Peggy and Don share something very special. Ironically, Peggy, like Sally, doesn’t know that Don Draper is actually Dick Whitman. And yet, I would say that Peggy, again, like Sally, know the real man behind the suit better than anyone (save for Anna). While Betty, Pete, Burt Cooper, and Megan know Don’s secret, they don’t necessarily know the man as he is. Peggy does. Watching Peggy say goodbye to Don (though, unbeknownst to them at the time, it would be a short goodbye) and seeing Don’s inability to let go of that hand was a symbol of Don’s affection and respect for this very important person in his life.

1. “That’s what the money is for!” (Episode 407: The Suitcase)

The moment where Mad Men became the greatest of all time. This is not an argument for this day, but certainly, at the time the episode aired, The Suitcase felt like the greatest episode of a TV drama ever (there is now an argument for not only other Mad Men episodes from season 5, but also a couple episodes from the final season of Breaking Bad, and at least a couple episodes from The Wire and The Sopranos). The episode focused largely on the relationship between Don and Peggy, which is the relationship that makes this show so special, and an all time great. The episode culminates with two magical moments, including a shared moment of sorrow, between Peggy and Don after Don learns of the death of Anna (from her niece Stephanie, played by Caity Lotz—currently starring on Arrow). The other moment being the argument between Peggy and Don, as seen here.

There are a dozen other scenes that could have made this list: Pete falling down the stairs, Don telling Ginsberg he doesn’t think about him at all, “Not great Bob!,” the Jaguar pitch, Lane’s suicide, the bubble gum in the pubis… the list goes on and on. But, the moments listed here are the ones that stand above the rest in our eyes. This evening cannot come soon enough!

-CJ & LJ



Sorry kids, all the fun and games are over. April is not messing around. I hope you’re not behind on anything, because April is not going to leave you any opportunity to catch up on things. Premieres, finales, specials, reality shows, comedies, dramas…April’s got it all. And, it’s got it all in spades. January to March has been nice and relaxing, and I hope you’ve taken advantage. There are a couple of Sunday nights that I look forward to each year (or have in the past): Breaking Bad and Boardwalk Empire was an amazing Sunday of TV for the last several years, but my favorite Sunday for the last 3 years has been and will remain Game of Thrones and Mad Men (topped off this year with Veep and Silicon Valley). This is what April brings us. And, while last month, I couldn’t even come up with 10 items, this month, there are far more than 10, so let’s get to it:

10. Turn (AMC, April 6) — With Breaking Bad gone, and Mad Men on it’s way out, it’s time for AMC to start restocking on high quality, prestige dramas (I was really looking forward to Low Winter Sun, but that didn’t work out so well). AMC tries it again here with an American Revolutionary War drama about a group of spies lead by Jamie Bell. Most importantly though, the recurring cast includes the one and only Stephen Root (Office Space, Justified, King of the Hill, No Country for Old Men, Boardwalk Empire). Early reviews seem to be mixed, but AMC has bought enough good will with me to at least give it a look.

9. Orphan Black (BBC America, April 19) — So, here’s the thing. I’m just going to be honest with you. I’ve still not watched the first season. I have every intention of doing so, and hope to before the beginning of season 2. But, regardless of whether I’m able to do so or not, the fact remains that Orphan Black belongs on this list. More people (in this case, including myself) need to watch shows like this, and less people need to watch shows like The Following.  Sorry Kevin Bacon.

8. The Writer’s Room (Sundance, April 14) — Hosted by Community’s (and award-winning screenwriter) Jim Rash, The Writer’s Room is an hour long show discussing the writing process for several of your favorite shows on TV. Season 1 saw the writers from Breaking Bad, Game of Thrones, Parks and Rec, and New Girl come by. Season 2 brings more interesting personalities to the show, including Robert Kirkman (TWD), Kurt Sutter (Sons of Anarchy) and Beau Willimon (House of Cards). The conversations are usually funny, often insightful and always worth your time.

7. Silicon Valley (HBO, April 6) —  Brought to us by Mike Judge and starring (among others) Martin Starr, TJ Miller (Denver, yeah!) and Kumail Nanjiani. If I need to say anything else to make you want to watch this show, I don’t even want to know you.

6. Fargo (FX, April 15) — So, here’s the thing, FX might be the best thing going right now for dramas. Justified, The Bridge, The Americans, Sons of Anarchy, and now Fargo (and soon to come The Strain). FX continues to deliver excellent shows from bright people. The reason they are able to do that is probably directly related to FX’s President, John Landgraf. He sees talent, and he doesn’t try to contain it, or think he knows better. So here we have Fargo, set in the same universe as the classic Coen Brothers film (and they also serve as exec producers), starring Billy Bob Thornton, Dr. Watson himself, Martin Freeman, Colin Hanks, Bob Odenkirk, Kate Walsh, Adam Goldberg, Oliver Platt, Key and Peele. Oh, and it’s been run by Adam Bernstein, who has been studying at the school of Vince Gilligan for the last 5 years while working on Breaking Bad. So, yeah…I’m looking forward to this.

5. The Challenge: Free Agents (MTV, April 10) — The only reality show I still watch. And, I will never stop watching. The Challenge is the fifth major sport in this country, and it is the perfect mix of embarrassing, exhilarating and horrifying moments. My man CT is going to be wheeled out there when he’s 80 years old, still starting trouble…And guess what, I’ll still be watching.

4. Veep (HBO, April 6) — Veep had a historically great second season, and all the early reviews point to season 3 even being an improvement on that ridiculously high bar. There is no better (or funnier) commentary on the current state of American politics than Vice President Selina Kyle, and her ridiculous staff. The show is occasionally sweet, sometimes thoughtful, usually hilarious, and flat out always insulting! Watching these characters berate Jonah, better known as Jolly Green Jizz-Face, will never stop being funny.

3. Justified finale (FX, April 8) — While season 5 has admittedly been an up and down season of Justified (my number 1 show of 2013), the penultimate episode which aired on April 1 was as good as almost any episode of Justified. More so than looking forward to the finale of this season, I’m looking forward to seeing what it sets up for the sixth, and final, season. I’ve been saying since before this season even started that season 5 was likely going to be tough, as it had to hold off on, and set up the stories that will play out in the final season. Specifically, the resolution of the Raylan/Boyd friendship, or whatever it is. I was thrilled with the episode this week, am looking forward to the finale next week, but can hardly contain my excitement for seeing where the story of Raylan, Boyd, Ava and Art ends next year.

2. Game of Thrones (HBO, April 6) — I sometimes think about whether or not Game of Thrones is a “great” show, on the level with shows like The Sopranos, The Wire, Breaking Bad or Mad Men…But, then I stop thinking about that, and I realize, “who cares.” I don’t actually need Game of Thrones to be those shows. What I do need out of Game of Thrones, is for it to be one of the most enjoyable experiences I have watching TV all year (like Justified). And, that is EXACTLY what Game of Thrones gives us. Game of Thrones has never been in my top 5 shows of any given year, but it’s always a show I’m looking forward to. It’s just fun to be in this world and with these characters, and I can’t wait to get back to see what hijinks the characters get into this season (side note: does anyone else want to help me Kickstart a spin off show with Arya Stark and The Hound as private detectives in Westeros? Amazing, right? #truedetectiveseason2 is all I am saying).

1. Mad Men (AMC, April 13) — So, look. Those who know me, know that I argue that Mad Men is the greatest TV drama of all time (or, if not, it’s millimeters behind The Sopranos). So, of course, this is going to be the top of my list. I know there are many out there that didn’t love season 6 of Mad Men, and I understand that. But, even if you didn’t love it, you had to love the way it finished. Season 6 was all about the multiple versions of ourselves, mainly, the 2 sides of Don Draper. This comes to a head in the haunting and heart-wrenching meeting with Hershey’s, and then with Don taking Sally to see where he grew up. His two lives are melding into one, and this final season (split into 2 parts, just as Breaking Bad was) will deal with the repercussions of that fact. Add that with the fact that Don was “fired” from his job, and the season is setting up for some truly interesting introspection by Dick Whitman.

So, there you have it. April 2014…Not messing around. Some honorable mentions: Playing House (USA, April 29) and Jim Gaffigan: Obsessed (Comedy Central, April 27).




So, I failed and didn’t get a review of “Us” out before the season finale. I know. I am disappointed with myself too. To be fair though, my brother did get married last week (on a Friday nonetheless) so things were a little hectic in my outside-the-blog life. Plus, I spent the first 4 days of the week reading the entire Divergent series of books. Looking back, it was probably not a great use of time (but, in case you are wondering, the series is not a difficult read). However, those are the choices I made, so I (and unfortunately you) must now deal with them. Luckily, I don’t think I really had much to say about last week’s episode. I will make a few mentions of it below, but mostly let’s just focus on the finale. Don’t hate me for saying this, but I was a little disappointed in how the final episode went. Let’s get to talking about it though.

1. So about “Us” – A few weeks ago I said I was over the whole Glenn finding Maggie thing.  And, perhaps the Glenn and Maggie reunion was dragged out a little too long (and was probably the least compelling story we had in the second half of season 4).  However, I did spend a lot of “Us” balling, yes, literally sobbing, over them reuniting. And, I am tearing up just thinking about it.  So, maybe I was more invested in the story than I originally thought or maybe I am really just such a girl.  Now, if only they didn’t get immediately thrown into a train car right afterwards (more on that later). At least they are together, right?


2. Some other thoughts on “Us” – I will admit I was a little surprised by Eugene’s insistence on going back for Glenn and Tara. When did he get so attached to Glenn?  I mean Tara is hot, so I get the desire to help her (even if she does prefer the ladies).  However, I don’t necessarily find Glenn to be the type of guy to rally behind.  At least the decision by Eugene gave us the badass moment where Abraham, Eugene, Rosita, Maggie, Sasha, and Bob came through the tunnel and saved Glenn and Tara’s butts. I might have done a fist pump at that moment.* It was kind of awesome.**

*Have you ever looked at the actor, Josh McDermitt, who plays Eugene in real life? He was on Talking Dead last week. I would not have recognized him in a million years, even if he was standing in front of me poorly shooting a machine gun. See what I mean?


**I don’t want to spend too much time on “Us” now that we have seen what happens next. Ultimately, “Us” just reinforced how bad Joe’s crew is and raised a lot of questions about Terminus. Questions we still don’t have many answers to.

3. Now let’s talk about the finale – HERSHEL!! I would say that Hershel flashbacks were somewhat unnecessary, if I didn’t love Hershel so much.  So, if I am being completely honest, I was happy to see Scott Wilson again.  However, I felt like the flashbacks got a little excessive.  Now, I understand that this season was largely about the evolution of Rick both as a man and as a father. Thus, flashbacks of Rick transforming into farmer Rick were meant to emphasize the stark contrast of the now post-prison (and post-Hershel) person Rick has become (i.e., a man who is confident in his abilities to overcome just about anything).  I am just saying that I don’t know that I needed so much of a reminder of how everything that happens can shape a person.  I got that Rick has now become a confident badass willing to do whatever it takes to save the people he cares for.  The whole Joe confrontation solidified that point for me.


4. OMG!! – That was my reaction first when I saw Joe’s crew holding Rick, Michonne, and Carl and gun/knife-point. And, then Rick bit out the guy’s neck and I screamed. I mean, he literally took a chunk out of Joe’s neck! I didn’t know that was possible to do. It was gross, it was awesome, and it was epic. That being said, my problem with the whole scene was that I felt like the show was rushing to the end of the Joe/Rick manhunt and ultimate confrontation. It was just last week that we found out that Joe was hunting Rick.*** Then, within the first few minutes of this episode we had Joe find Rick and Joe get killed. It happened too fast and that took some of the drama out of it. Really, the episode should have been longer so we could have seen more of the pursuit. Then, I would have been even further on the edge of my seat when the actual confrontation happened. As it stands though, I feel the conclusion of that aspect of the story was rushed.

***I thought Daryl figured out last week that Joe’s crew was hunting Rick.  Did anyone else think that?  Based on Daryl’s comments to Rick post-confrontation though, I guess he hadn’t.

5. Do you think Rick and Daryl will get matching tattoos? – I think Rick and Daryl just made their bro-mance official. Let’s just say it was a special moment when Rick told Daryl he was his brother. I have no doubt that this meant a lot to Daryl, given that it finally means he has a family–one that might not be totally psychotic either (well except when they are chewing through someone’s neck).  Sometimes the family ties you find are stronger even when they aren’t necessarily ties by blood.


6. More rushing – Going back to my point earlier, this whole episode felt rushed to me. And, honestly, the episode could have been better served with an extra 15 minutes.**** The resolution of the Joe storyline happened too quickly, as stated above, and, in my opinion, the whole Terminus thing happened too quickly. I know that the writers wanted “everyone” to get to Terminus by the end of this season, but I felt like most of the finale episode was just an outline of plot points that the show decided needed to happen before season 4 ended: (1) find Terminus; (2) go inside Terminus; (3) realize things seem weird; (4) get shoved into a train car; (5) give a great last line. However, had the episode been extended (or had more of the final few episodes been spent in Terminus) the story may have been given time to breathe, so that when the chase scene happened and then the train car prisoning occurred, the audience would have been so invested into what was happening at Terminus that a certain level of devastation would have been felt for the situation the characters now find themselves in. Instead, all I really remember about the Terminus scenes is a lot of shooting, some BBQ, and Rick’s last line.*****

****Or, I would have ended the episode at the point where Rick sees Hershel’s/Glenn’s watch.  Then more of the Joe story could have been dealt with and we would have ended on the cliffhanger of Rick with the watch-stealer as a hostage and guns pointed at him.  Cut to black.  Sounds like a good cliffhanger to me.


*****We all know Rick would have dropped an f bomb. I don’t buy Rick Grimes saying “they’re screwing with the wrong people.” Is he a 13 year old girl?

7.  Where is Beth? – And why does no one care?  I don’t see how Daryl can just say that Beth is “gone” and Rick can just accept that.  Daryl, why didn’t you tell Rick what happened?  Maybe the 4 of you could have gone on a Beth search instead of walking into the death trap that is Terminus.  I NEED TO KNOW WHERE BETH IS AND I DON’T WANT TO WAIT 7 MONTHS TO FIND OUT.  Someone get Scott Gimple on the phone.  But, please tell me creepy Mary isn’t wearing Beth’s sweater.


8. The million dollar question – Are there cannibals at Terminus?  So, if you have read the internet today, you know that there is a cannibalism storyline in the comics.  Now, the show doesn’t always conform to the comics so much of the speculation today (and last week) has been about possible cannibalism.  I think there was some evidence of it in the few glimpses of Terminus that we got, but I don’t think there is any way of knowing until we reach season 5.  Which, let’s be honest, is really annoying.  (I am not the only one annoyed, clearly: http://www.uproxx.com/tv/2014/03/walking-dead-creator-robert-kirkman-addresses-terminus-questions/).  Here is what we know though:

  • There was a pile of skin and bones as Rick, Carl, Michonne, and Daryl were running through Terminus;


  • The residents of Terminus were clearly not trying to kill the group of four and instead were forcing them to the train car with their shots, so they want them alive for some reason;


  • You can hear people in other containers screaming to be let out as the group runs through Terminus (they must not like living in the containers);


  • Messages in the “church” room like “we first, always” seem to indicate that Terminus people value themselves a lot more than outsiders;


  • A lot of BBQ-ing is happening, Mary always seems to be at that grill;


  • It’s clear that the people at Terminus want to lure others to their location, hence all the  signs and radio communications;


  • And, there are some weird phrases said by Terminites that could mean various things.  For instance, Mary tells Glenn and co. “We’ll make you a plate” when they arrive and another resident tells Rick and co. “The more people become a part of us, we get stronger. It’s why we put up signs, take people in.  It’s how we survive.”  That’s creepy;


  • Powdered milk (used to fatten livestock) is outside the train car; and


  • Finally, there was a lot of talk in the final episode between Rick, Michonne, and Carl about hunger, food shortage, and trapping.  Foreshadowing perhaps?


Don’t worry we have a long time to think about all of this.


PS.  For those of you interested, I will start discussing Game of Thrones on a weekly basis after it premieres this Sunday.  CJ says he may try to do weekly posts about Mad Men too.



AMC released more season 7 promo photos yesterday.  What is clear from the photos is that the characters are definitely part of the groovy sixties.  What is less clear is whether the gang has chosen to forget all their differences and take one big vacation together.  Somehow I doubt that is actually the case.  We won’t have to wait much longer to find out though.  Season 7 of Mad Man premieres April 13th on AMC.

Here’s a link to GQ if you want to check out all of the photos:  http://www.gq.com/blogs/the-feed/2014/03/mad-men-season-7-promo-photos.html

-CJ & LJ



Season 7 of Mad Men (the final season) begins on April 13th at 10 p.m. on AMC.  (Don’t forget that the final season is split between this year and next year–just like the final season of Breaking Bad).  Don pretty much appeared to blow up his life at the end of season 6–with Pete and Ted running off to California, Don seeming to break down the carefully constructed walls between “Don Draper” the ad-man and “Dick Whitman,” and Don’s career at SC&P possibly over.

But, now we have a picture and a clip (http://bcove.me/7uxmh3sk) showing Don Draper getting off a TWA plane somewhere where there appears to be some sunshine.  What do you think are the chances that he has decided to take after Betty’s former career and become a male model?  At least he looks like he is enjoying flying more…


We asked Pete Campbell about how he felt about being left out of the new Mad Men teaser.  His response was not surprisingly:


(Nope, we are never going to get tired of that line, sorry).

-LJ & CJ

Update:  It appears that Mad Men season 6 will be available for streaming on Netflix starting March 30th.  So if you need to get caught up or if you simply want to watch again, there you go.

Update again:  The season 7 Mad Men poster was also released.


We can all sit around and try and decipher its meaning or we can watch Roger trip on LSD.  I choose the latter, because that poster certainly makes me wish I was on drugs.

And, if we are going to keep watching Mad Men clips, then there is really no reason to leave this one out.  Does it relate to anything we are discussing, no.  But, it sure does make me happy.

You’re welcome.



The 65th Annual Primetime Television Emmy Awards are set to air this Sunday, September 22 on CBS.  Thus, like everyone else in the TV blogging world, we will be doing our own list of winners.  These are not predictions.  It is who we think should win based on the list of nominees for each category.  Do we agree with the nominations in each category…definitely not.  But, we have decided to work within these shackles and come up with our favorites.  One thing should become clear, we (CJ and LJ), unsurprisingly, watch a lot of the same shows.  Apologies for any repetitiveness.


CJ’s pick:  Walton Goggins, Justified

LJ’s pick:  Emmy Rossum, Shameless (*not only should she be nominated, but she should win)


CJ’s pick: Damian Lewis, Homeland

LJ’s pick: Anything from Homeland.  Also, anyone from Downton Abbey (*I actually like Downton, but this year, it just can’t win)


Breaking Bad, AMC
Downton Abbey, PBS
Homeland, Showtime
Game of Thrones, HBO
House of Cards, Netflix
Mad Men, AMC

CJ’s pick: Mad Men

LJ’s pick: Breaking Bad


Hugh Bonneville, Downton Abbey, PBS
Bryan Cranston, Breaking  Bad, AMC
Jeff Daniels, The Newsroom, HBO
Jon Hamm,  Mad Men, AMC
Damian Lewis, Homeland, Showtime
Kevin  Spacey, House of Cards, Netflix

CJ’s pick: Jon Hamm, Mad Men

LJ’s pick:  Bryan Cranston, Breaking Bad


Connie Britton, Nashville, ABC
Claire Danes, Homeland, Showtime
Michelle Dockery, Downton Abbey, PBS
Vera Farmiga, Bates Motel, A&E
Elisabeth Moss, Mad Men, AMC
Kerry Washington, Scandal, ABC
Robin Wright, House of Cards, Netflix

CJ’s pick: Elisabeth Moss, Mad Men

LJ’s pick:  Elisabeth Moss, Mad Men (*This close to picking Kerry Washington)


Bobby Cannavale, Boardwalk Empire, HBO
Jonathan Banks, Breaking Bad, AMC
Aaron Paul, Breaking Bad, AMC
Jim Carter, Downton Abbey, PBS
Peter Dinklage, Game of Thrones, HBO
Mandy Patinkin, Homeland, Showtime

CJ’s pick: Jonathan Banks, Breaking Bad

LJ’s pick:  I am emotionally torn between Aaron Paul and Jonathan Banks.  Ok, Jonathan Banks, Breaking Bad


Anna Gunn, Breaking Bad, AMC
Maggie Smith, Downton Abbey, PBS
Emilia Clarke, Game of Thrones, HBO
Christine Baranski, The Good Wife, CBS
Morena Baccarin, Homeland, Showtime
Christina Hendricks, Mad Men, AMC

CJ’s pick: Anna Gunn, Breaking Bad

LJ’s pick: Emilia Clarke, Game of Thrones


The Big Bang Theory, CBS
Girls, HBO
Louie, FX
Modern Family, ABC
30 Rock, NBC
Veep, HBO

CJ’s pick: Veep

LJ’s pick:  Veep


Jason Bateman, Arrested Development, Netflix
Louis C.K., Louie, FX
Don Cheadle, House of Lies, Showtime
Matt LeBlanc, Episodes, Showtime
Jim Parsons, Big Bang Theory, CBS
Alec Baldwin, 30 Rock, NBC

CJ’s pick: Louis C.K., Louie

LJ’s pick:  Full disclosure.  I watch none of these shows.  So, I abstain.


Lena Dunham, Girls, HBO
Laura Dern, Enlightened, HBO
Tiny Fey, 30 Rock, NBC
Amy Poehler, Parks and Recreation, NBC
Julia Louis-Dreyfus, Veep, HBO
Edie Falco, Nurse Jackie, Showtime

CJ’s pick: Amy Poehler, Parks and Recreation

LJ’s pick:  Julia Louis-Dreyfus, Veep


Adam Driver, Girls, HBO
Jesse Tyler Ferguson, Modern Family, ABC
Ed O’Neill, Modern Family, ABC
Ty Burrell, Modern Family, ABC
Bill Hader, Saturday Night Live, NBC
Tony Hale, Veep, HBO

CJ’s pick: Adam Driver, Girls

LJ’s pick: Bill Hader, Saturday Night Live


Mayim Bialik, The Big Bang Theory, CBS
Jane Lynch, Glee, Fox
Sofia Vergara, Modern Family, ABC
Julie Bowen, Modern Family, ABC
Merritt Wever, Nurse Jackie, Showtime
Jane Krakowski, 30 Rock, NBC
Anna Chlumsky, Veep, HBO

CJ’s pick: Anna Chlumsky, Veep

LJ’s pick: Anna Chlumsky, Veep


George Mastras, Breaking Bad, “Dead Freight”
Thomas Schnauz, Breaking Bad, “Say My Name”
Julian Fellowes, Downton Abbey, “Episode 4”
David Benioff & D.B. Weiss, Game of Thrones, “The Rains of Castamere”
Henry Bromell, Homeland, “Q&A”

CJ’s pick: David Benioff & D.B. Weiss, Game of Thrones, “The Rains of Castamere”

LJ’s pick: George Mastras, Breaking Bad, “Dead Freight”


Tim Van Patten, Boardwalk Empire, “Margate Sands”
Michelle MacLaren, Breaking Bad, “Gliding Over All”
Jeremy Webb, Downton Abbey, “Episode 4”
Lesli Linka Glatter, Homeland, “Q&A”
David Fincher, House Of Cards, “Chapter 1”

CJ’s pick: Michelle MacLaren, Breaking Bad, “Gliding Over All”

LJ’s pick: Michelle MacLaren, Breaking Bad, “Gliding Over All” (*The one and only time I considered something from Homeland)


David Crane and Jeffrey Klarik, Episodes, “Episode 209”
Louis C.K. and Pamela Adlon, Louie, “Daddy’s Girlfriend (Part 1)”
Greg Daniels, The Office, “Finale”
Jack Burditt and Robert Carlock, 30 Rock, “Hogcock!”
Tina Fey and Tracey Wigfield, 30 Rock, “Last Lunch”

CJ’s pick: Louis C.K. and Pamela Adlon, Louie, “Daddy’s Girlfriend (Part 1)”

LJ’s pick: Once again, I abstain.  Womp, womp.


Lena Dunham, Girls, “On All Fours”
Paris Barclay, Glee, “Diva”
Louis C.K., Louie, “New Year’s Eve”
Gail Mancuso, Modern Family, “Arrested”
Beth McCarthy-Miller, 30 Rock, “Hogcock! / Last Lunch”

CJ’s pick: Lena Dunham, Girls, “On All Fours”

LJ’s pick: Lena Dunham, Girls, “On All Fours”

**All selections were made independently and at separate locations.  We take this stuff seriously (probably too seriously).